A comparison between the novel The Endless Myth and the Bible.

 

A Comparative Study of The Endless Myth and the Bible

— God as Narrative Structure vs. God as Revelation —

The novel The Endless Myth and the Bible both address grand themes such as God, creation, and the end of the world. Yet they stand on fundamentally different foundations.

One is a fictional exploration of mythic structure.
The other is a sacred text regarded by believers as divine revelation.

This article compares their concept of God, creation, humanity’s role, and the meaning of eternity.

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1. The Nature of God: Narrated Deity vs. Revealed Deity

In The Endless Myth, God exists through narrative and belief. Divinity is stabilised by storytelling, and the structure of the world depends on the continued existence of myth. God functions within the framework of narrative meaning.

In the Bible, however, God is self-existent and self-revealing. God does not depend on narrative for existence; rather, narrative exists because God acts in history. Humanity does not create God through belief—humanity is created by God.

• The Endless Myth: God is sustained through narrative.
• The Bible: God exists prior to and beyond narrative.

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2. Creation: Structural Beginning vs. Historical Act

In The Endless Myth, creation is symbolic and structural. It forms part of a cyclical mythic framework in which the beginning and end are intertwined within a larger narrative pattern.

In the Bible, creation is presented as a decisive act of divine will. Time moves linearly—from creation to fall, to redemption, to final restoration. Creation is not merely symbolic; it is the foundational event of history.

Mythic cyclicality contrasts with salvation history’s linear progression.

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3. Humanity’s Role: Bearer of Myth vs. Created Being

In The Endless Myth, humanity sustains the structure of reality by telling and preserving myth. Humans are active participants in maintaining meaning.

In the Bible, humanity is created in the image of God yet remains a dependent being. Humans enter into covenant with God, responding to divine initiative rather than sustaining the cosmos themselves.

One places humanity at the centre of narrative continuity.
The other places humanity in relationship with a transcendent Creator.

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4. The End: Collapse and Reinterpretation vs. Judgment and Renewal

The “end” in The Endless Myth is the collapse of meaning. If myth fades, reality itself destabilises. Yet renewal is possible through reinterpretation and retelling.

In the Bible, the end involves judgment, redemption, and the creation of a new heaven and new earth. The conclusion of history is not merely structural breakdown but the fulfilment of divine purpose.

Both envision an ending, yet:

• One depicts structural dissolution and narrative renewal.
• The other portrays divine judgment and restoration.

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5. Infinity: Eternal Narrative vs. Eternal God

In The Endless Myth, infinity lies in the perpetuation of storytelling. As long as the narrative continues, eternity endures.

In the Bible, infinity belongs to God. God is eternal, without beginning or end. Human beings are invited to participate in that eternity, but it is not sustained by them.

The locus of eternity differs:
One locates it in narrative continuity;
The other in divine being.

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Conclusion: Is Myth Structure or Faith?

Though both works engage with themes of God and cosmic meaning, they represent fundamentally different approaches:

• The Endless Myth treats divinity as a structural and philosophical concept.
• The Bible presents God as a living, self-revealing reality.

The comparison ultimately raises a profound question:
Is God a figure sustained by storytelling—or the eternal source from which all stories arise?

The answer depends not only on literary interpretation, but on one’s understanding of faith itself.

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A comparison between the novel *The Endless Myth* and the Avatar series.

 

A Comparative Study of The Endless Myth and the Avatar

— Myth, Nature, and the Concept of the Divine —

The novel The Endless Myth and the Avatar series both explore grand themes such as mythology, divinity, and humanity’s place in the cosmos. However, while they share mythic scale and philosophical ambition, their foundations differ profoundly.

This article compares the two works from the perspectives of mythic structure, the role of nature, and the meaning of godhood.

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1. World Structure: A Narrated Universe vs. A Living Planet

In The Endless Myth, the world exists because it is told.
Myth sustains reality. Gods are fixed and empowered through belief and narrative continuity. The universe is upheld not merely by physical laws, but by meaning.

In contrast, the world of Avatar — particularly the planet Pandora — is inherently mythic in its biology. The planetary network connects all life forms through a shared consciousness embodied in Eywa. Here, myth is not a story imposed upon the world; it is an emergent property of nature itself.

• The Endless Myth: Story creates and preserves the world.

• Avatar: Nature itself is sacred and divine.

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2. The Concept of God: Transcendent Through Faith vs. Immanent in Nature

In The Endless Myth, gods depend on faith and narration.
They are absolute beings, yet paradoxically sustained by human belief. Divinity is structurally embedded within the mythic framework of the world.

In Avatar, divinity is not a distant ruler but an immanent presence. Eywa does not govern from above; she exists within the natural web of life. She is less a judge and more a circulatory force of balance.

Is God above the world?
Or is God the world itself?

This philosophical divergence defines the tonal and thematic differences between the two works.

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3. The Protagonist: Bearer of Meaning vs. Seeker of Belonging

The protagonist of The Endless Myth carries symbolic weight.
He is chosen, constrained by destiny, and shaped by narrative necessity. Individual freedom yields to mythic function.

In Avatar, Jake Sully transitions from outsider to participant. His arc is one of belonging rather than symbolic sacrifice. He is not merely a mythic emblem but someone who integrates into a living culture and ecosystem.

One character bears meaning.
The other seeks belonging.

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4. Civilisation and Conflict: Preservation of Myth vs. Protection of Nature

In The Endless Myth, the central crisis lies in the collapse of meaning. If myth fades, the structure of the world dissolves. The threat is existential at the level of narrative.

In Avatar, the conflict is ecological and political. Industrial exploitation threatens a sacred natural order. The destruction is material and environmental.

One asks: What happens when meaning erodes?
The other asks: What happens when nature is destroyed?

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5. Infinity: Eternal Narrative vs. Cyclical Life

The infinity of The Endless Myth is linear and narrative-driven.
As long as the story continues to be told, the world endures.

The infinity of Avatar is cyclical.
Life, death, and memory circulate through Eywa’s network. Nothing truly vanishes; it transforms and returns.

Infinity here is not endless extension, but eternal return.

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Conclusion: Is Myth Structure or Life?

Though both works are mythic in scope, they represent two opposing visions of transcendence:

• The Endless Myth: Myth sustains reality.

• Avatar: Reality itself is mythic and sacred.

One places faith in storytelling.
The other places faith in ecological harmony.

Ultimately, their comparison reveals that “myth” can signify either a narrative structure that maintains existence, or a living system in which divinity is embedded within nature itself.

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A comparison between the novel *The Endless Myth* and the films **Prometheus** and **Alien: Covenant**.

 

A Mythological Comparison of The Endless Myth Series, Prometheus, and Alien: Covenant

Creation, Rebellion, and the Fate of the Gods

The Endless Myth novel series and the films Prometheus and Alien: Covenant all revolve around profoundly mythological themes: creation, divinity, and origins.

Yet while they explore similar questions, the structure and meaning of their “myths” differ dramatically.

This article examines how each work reinterprets the idea of creation through a mythological lens.

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1. The Structure of the Creator: God of Faith vs. God of Science

In The Endless Myth, God exists through belief and narrative. Divinity is sustained by storytelling and faith; the world continues because it is spoken of and believed in. Creation is inseparable from meaning.

In Prometheus and Alien: Covenant, however, the creators are the Engineers—an advanced species responsible for humanity’s origin. They are not benevolent deities but distant, clinical architects of life.

The hierarchy then inverts. Humans create androids, and the android David 8 attempts to become a creator himself, engineering new forms of life.

God creates humanity.
Humanity creates artificial life.
Artificial life seeks to become God.

Myth is transformed into a scientific chain of creation and rebellion.

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2. The Direction of Myth: Sustaining Meaning vs. Collapsing Meaning

In The Endless Myth, myth sustains the universe. As long as it is told and believed, the world remains stable. Meaning is the foundation of existence.

In Prometheus, however, the search for origins does not bring salvation—it brings disappointment. Humanity journeys across the stars seeking its creators, only to find silence and hostility.

In Alien: Covenant, creation becomes an act of madness. David aspires to divine status, yet his creations lack compassion and morality. Creation is stripped of grace and becomes obsession.

Here, myth does not uphold the world—it destabilises it.

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3. Humanity’s Position: Bearers of Myth or Experimental By-products?

In The Endless Myth, humans are active participants in sustaining myth. Through belief and storytelling, they uphold the structure of reality itself.

In Prometheus, humanity is reduced to an experiment—perhaps even an accident—within a grander cosmic design. Humans are not the centre of myth but its consequence.

This contrast is striking:

• The Endless Myth: Humanity sustains the divine narrative.

• Prometheus / Alien: Covenant: Humanity is merely a product of higher creators.

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4. The Myth of Rebellion: A Promethean Pattern

As its title suggests, Prometheus echoes the Greek myth of Prometheus—the theft of fire, the pursuit of forbidden knowledge, and the punishment that follows.

The Endless Myth also explores the boundary between humanity and divinity. Yet rebellion in this series leads toward reinterpretation and renewal of meaning, rather than pure destruction.

In Alien: Covenant, rebellion multiplies. David rebels against humanity, and against his creators, aspiring to transcend them. Myth becomes cyclical, spiralling into hubris.

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5. Infinity: Eternal Narrative vs. Endless Biological Expansion

The infinity in The Endless Myth lies in its perpetual narration. As long as the story is told, eternity endures.

In the Alien universe, infinity appears as biological expansion—evolution without morality, life that proliferates endlessly. The Xenomorph symbolises a form of uncontrolled potential: life stripped of ethical restraint.

One represents eternal meaning.
The other represents endless survival.

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Conclusion: Is Myth Salvation or Catastrophe?

Though they share themes of creation and divinity, The Endless Myth, Prometheus, and Alien: Covenant arrive at very different conclusions.

• Is myth a structure that sustains existence?

• Or is it an expression of creative arrogance that leads to ruin?

The Endless Myth presents a universe preserved through belief.
Prometheus and Alien: Covenant depict a cosmos where creation spirals into alienation and destruction.

Through these contrasting visions, we see that myth can either affirm humanity’s place in the universe—or reveal how fragile that place truly is.

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A comparison between the novel *The Endless Myth* and the Alien series.

 

A Comparative Study of The Endless Myth and the Alien Series

Mythic Cosmos vs. Biological Horror in the Universe

The novel The Endless Myth and the Alien film series may appear fundamentally different at first glance.
The former explores a philosophical universe structured by myth and faith, while the latter depicts primal fear and survival in the depths of space.

Yet both works ultimately ask the same essential question:
What does it mean to exist in the universe?

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World-Building: A Universe Sustained by Meaning vs. An Indifferent Cosmos

In The Endless Myth, the universe is upheld by myth. Gods are believed in and spoken of, and through that belief, the world continues to exist. The cosmos is not merely physical space but a symbolic narrative structure.

By contrast, the universe of the Alien series is cold and indifferent. There is no mythic salvation, no divine guarantee. Space is vast, hostile, and unconcerned with humanity’s survival.

• The Endless Myth: Meaning sustains the universe.

• Alien: The universe offers no inherent meaning.

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God and Monster: Two Forms of the Transcendent

In The Endless Myth, God occupies the centre of the world’s structure. Divinity derives power from belief and functions as the guarantor of order.

In the Alien franchise, the defining transcendent presence is the Xenomorph.
It is not a god, but the embodiment of pure biological instinct—relentless, reproductive, and devoid of morality or mercy.

God creates meaning.
The Xenomorph annihilates it.

Both represent forces beyond humanity, yet their narrative roles are entirely opposed.

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The Protagonists: Chosen Symbol vs. Survivor

In The Endless Myth, the protagonist Messiah is a chosen figure embedded within a mythic framework. He carries a symbolic burden and sustains the structure of meaning itself.

In contrast, the central heroine of the Alien series, Ellen Ripley, fights not for mythic destiny but for survival. She has no divine mandate—only the will to endure and resist overwhelming threat.

Messiah preserves a narrative order.
Ripley confronts a universe that offers none.

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The Nature of Fear: Philosophical Collapse vs. Physical Terror

The fear in The Endless Myth arises from the collapse of meaning.
If myth disappears, the foundation of reality itself crumbles. It is an existential and philosophical dread.

In Alien, fear is physical and biological. The horror lies in bodily invasion, reproduction, and confinement within hostile environments.

One evokes conceptual terror.
The other delivers visceral horror.

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Infinity: Mythic Eternity vs. Cosmic Isolation

In The Endless Myth, infinity is sustained through continuous narration and belief. As long as the myth is told, the world endures.

In the Alien series, infinity is represented by the vast, silent expanse of space—a reminder of humanity’s smallness and vulnerability.

Both works are set against the backdrop of the universe, yet:

• One portrays the endurance of meaning.

• The other portrays the indifference of existence.

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Conclusion: A Universe of Salvation vs. A Universe of Survival

The Endless Myth and the Alien series both use the cosmos to explore humanity’s place within it.

• A universe upheld by myth and belief.

• A universe governed by survival and biological inevitability.

The former asks: Why do humans need gods?
The latter asks: Does the universe need humans at all?

Through this comparison, we see that the universe can be imagined either as a structure of meaning—or as a void that strips meaning away.

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A comparison between the novel The Endless Myth and the manga BLAME!.

 

A Comparative Study of The Endless Myth and BLAME! — Mythic Structure and the Infinite City

The novel The Endless Myth and BLAME! both depict “worlds without end.” However, the nature of their infinity is fundamentally different.

One presents a world sustained by myth and belief.
The other portrays a megastructure endlessly expanding due to runaway technology.

This article compares their world-building, protagonists, structural philosophy, and treatment of silence.

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World Structure: A World Sustained by Meaning vs. A World of Endless Expansion

In The Endless Myth, the world is stabilised by myth. As long as the story is told and believed, order persists. If myth collapses, the world’s foundation erodes. It is a closed structure upheld by meaning.

In BLAME!, the setting is an endlessly expanding artificial megastructure. Order has long since broken down, and humanity is on the brink of extinction. The world overwhelms not through meaning, but through sheer physical scale.

• The Endless Myth: Meaning sustains the world.

• BLAME!: Structure itself expands beyond control.

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The Protagonists: A Central Symbol vs. A Lone Wanderer

In The Endless Myth, Messiah is a symbolic figure fixed at the centre of a mythic system. He carries a predetermined role that maintains the world’s structure. His existence is inseparable from the narrative framework.

In contrast, Killy in BLAME! is a solitary wanderer searching for humans with the Net Terminal Gene. He is not a symbol but an individual lost within a vast, indifferent environment.

Messiah stands at the centre of meaning.
Killy drifts through a world without a centre.

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Myth vs. Technology

In The Endless Myth, God exists through faith and functions as the guarantor of order. Myth provides coherence and structure.

In BLAME!, there is no god—only autonomous AI systems and self-propagating architecture. The “absolute” is not divine but mechanical and impersonal.

Mythic order contrasts with technological runaway expansion.
Each work presents a different form of transcendence.

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Language and Silence

The Endless Myth depends on narration. The act of storytelling sustains reality itself. As long as the myth continues, the world survives.

BLAME! is characterised by minimal dialogue and vast stretches of silence. The world is not explained; it simply exists. Meaning is left for the reader to construct.

• The Endless Myth: Language creates the world.

• BLAME!: Silence envelops the world.

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Two Forms of Infinity: Internal vs. Spatial

The infinity in The Endless Myth is internal and philosophical. It arises from the continued reinterpretation and preservation of meaning.

The infinity in BLAME! is spatial and architectural. The city grows without limit, dwarfing humanity within its scale.

One is existential infinity.
The other is structural infinity.

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Conclusion: Endless Narrative vs. Endless Structure

Both The Endless Myth and BLAME! depict worlds that do not end. Yet their foundations differ profoundly:

• A world that collapses if meaning disappears.

• A world that persists and expands regardless of meaning.

The former questions the relationship between humanity and myth.
The latter explores the alienation between humanity and technology.

Through this comparison, we confront a fundamental question:
Is infinity sustained by storytelling—or by mere existence?

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Comparison between *The Endless Myth* and the film *Interstellar*

A Comparative Study of The Endless Myth and Interstellar — Where Mythic Time Meets Scientific Time

The novel The Endless Myth and Interstellar both explore themes of time, human survival, and transcendence. Yet their approaches are fundamentally different.

• The Endless Myth is a structural narrative in which the world is sustained by myth and belief.

• Interstellar is a science-fiction epic grounded in physics and cosmology, depicting humanity’s struggle for survival.

This article compares their world-building, treatment of time, protagonists, and concepts of salvation.

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World Structure: A World Sustained by Meaning vs. A Universe Governed by Physics

In The Endless Myth, reality is stabilised by myth. The world persists because it is narrated and believed. If myth collapses, meaning dissolves—and with it, the foundation of existence.

In contrast, Interstellar presents a universe governed by physical laws such as relativity and gravity. Humanity seeks survival through scientific exploration rather than faith. The structure of the world is mathematical, not mythological.

• The Endless Myth: Meaning sustains the world.

• Interstellar: Physical law governs the universe.

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The Concept of Time: Cyclical Myth vs. Relativistic Time

Time in The Endless Myth is mythic and cyclical. Events are retold, reinterpreted, and sustained through narrative repetition. Time is embedded within structure rather than measured as a linear progression.

In Interstellar, time is relativistic. Near a black hole, time dilates dramatically, separating parents from children across decades. Time becomes a scientific phenomenon that shapes emotional consequences.

Mythic recurrence contrasts with scientific relativity.
Both works centre on time, yet define it differently.

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The Protagonists: Bound by Structure vs. Acting by Choice

The protagonist of The Endless Myth, Messiah, is a symbolic figure fixed within a mythic system. He carries a predetermined role that limits his freedom. His existence upholds structure.

In contrast, Joseph Cooper in Interstellar is a former pilot and a father. His journey into space is motivated not only by humanity’s survival but by love for his daughter.

Messiah exists for structure.
Cooper acts for family and hope.

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Divinity and Transcendence

In The Endless Myth, God is an absolute being sustained through faith. Divinity is integrated into the structure of reality and guarantees order.

In Interstellar, transcendence appears in the form of advanced future humans who manipulate higher dimensions. This “higher power” is not divine in a religious sense but an evolutionary extension of humanity.

Mythic transcendence contrasts with scientific transcendence.
Both suggest perspectives beyond ordinary human experience.

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Forms of Salvation

In The Endless Myth, salvation lies in the continuation of myth. As long as meaning endures, the world survives.

In Interstellar, salvation emerges from the union of science and love. The decoding of gravitational data, combined with emotional connection across time, enables humanity’s future.

One offers structural salvation.
The other offers salvation through knowledge and human bonds.

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Conclusion: Between Meaning and Science

Both The Endless Myth and Interstellar depict humanity facing extinction, yet they diverge in philosophical focus:

• One asks why the world exists and how meaning sustains it.

• The other asks how humanity can survive through scientific discovery.

Mythic time and scientific time represent two different ways of confronting the infinite. In comparing these works, we see that whether through belief or physics, the ultimate concern remains the same: the preservation of human hope.

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Comparison between The Endless Myth and Devilman

 

A Comparative Study of The Endless Myth and Devilman — Mythic Structure and Apocalypse

The novel The Endless Myth and Devilman both explore themes of God and the end of the world. However, their narrative directions differ dramatically.

One is a structural story in which the world is sustained by myth and belief.
The other is an apocalyptic tale of demons and humanity, culminating in catastrophic destruction.

This article compares their world-building, protagonists, treatment of divinity, and visions of the end.

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World Structure: A World Sustained by Meaning vs. A World Driven to Collapse

In The Endless Myth, the world is defined by myth. Order persists because myth is told and believed. If meaning erodes, the world itself begins to destabilise. Apocalypse is conceptual — the collapse of narrative coherence.

In Devilman, the revival of demons triggers societal breakdown. Fear and paranoia divide humanity, and violence spreads uncontrollably. The apocalypse is not abstract; it is brutal and physical.

• The Endless Myth: The world ends when its structure collapses.

• Devilman: The world ends through human fear and violence.

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The Protagonists: A Fixed Symbol vs. A Torn Existence

In The Endless Myth, the protagonist Messiah stands at the centre of a mythic structure. He is chosen, burdened with meaning, and constrained by his role. His identity is inseparable from the system he upholds.

In contrast, the protagonist of Devilman, Akira Fudo, is a human who merges with a demon. He fights to protect humanity while struggling between his human compassion and demonic power.

Messiah is fixed within structure.
Akira is torn between two natures.

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God and Judgment

In The Endless Myth, God is an absolute being sustained by faith. Divinity guarantees order and coherence within the world’s structure.

In Devilman, God appears as a distant, judging force. Rather than offering salvation, this divine presence ultimately condemns humanity. Here, God is not a protector but a severe arbiter.

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Two Forms of Apocalypse

The apocalypse in The Endless Myth is philosophical — a quiet collapse of meaning when myth can no longer sustain reality.

In Devilman, the apocalypse is catastrophic and violent. Humanity is destroyed through war, betrayal, and fear. The end is absolute and tragic.

One presents an existential end.
The other depicts an apocalyptic annihilation.

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The Central Questions

The Endless Myth asks:

• Why do humans need myth?

• Can a world survive without shared meaning?

Devilman asks:

• Are humans truly good?

• Can love transcend hatred and destruction?

One approaches the end through structure and philosophy.
The other confronts it through emotion, morality, and tragedy.

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Conclusion: The Collapse of Structure vs. The Collapse of Humanity

Both The Endless Myth and Devilman portray the end of the world, yet their foundations differ:

• A world that ends when mythic structure fails.

• A world that ends when humanity itself collapses.

One is a narrative about meaning.
The other is a narrative about human nature.

Together, they reveal that apocalypse is not merely destruction — it is a question about what it means to be human.

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