Endless Myth and Dawn of the Dead

— Omniversal Myth vs. Consumer Horror: Why Do Humans Repeat Themselves? —

The novel Endless Myth and Dawn of the Dead may seem completely different at first glance.

Yet both works confront a fundamental question:
What does it mean to be human, and why do we repeat the same behaviors?

One expands into an infinite omniversal mythology,
while the other traps humanity inside a shopping mall at the end of the world.

This article compares them through structure, repetition, and human nature.

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1. Scale of the World: Infinite vs. Enclosed

Endless Myth presents an endlessly expanding cosmos—
multiverses and omniversal layers extending outward.

Dawn of the Dead focuses on a confined space: a shopping mall.
Yet beyond it lies a world overrun by the undead.

In short:

Endless Myth: infinite exterior
Dawn of the Dead: enclosed interior

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2. Structures of Repetition: Cosmos vs. Consumption

In Endless Myth, the universe itself expands through repetition and multiplication.
Structure generates more structure.

In Dawn of the Dead, human behavior repeats.
Zombies return to the mall, drawn by residual habits from life.

This repetition reflects consumer culture.

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3. Human Nature: Structural Being vs. Habitual Being

In Endless Myth, humans exist within vast cosmic structures.

In Dawn of the Dead, humans are defined by habit.
Even in death, they repeat familiar actions.

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4. Types of Horror: Existential vs. Social

The horror of Endless Myth is existential—
the fear of losing identity within infinity.

The horror of Dawn of the Dead is social—
a critique of consumerism and emptiness.

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5. Form of Myth: Cosmic Myth vs. Modern Myth

Endless Myth is a cosmic mythology.

Dawn of the Dead is a modern myth—
a symbolic reflection of contemporary society.

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6. The Future of Humanity: Expansion vs. Stagnation

In Endless Myth, humanity expands beyond limits.

In Dawn of the Dead, humanity stagnates—
trapped in endless repetition.

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Conclusion: Do Humans Evolve or Repeat?

Endless Myth and Dawn of the Dead present two opposing visions of humanity:

Endless Myth: humans expand
Dawn of the Dead: humans repeat

This comparison leads to a fundamental question:

Can humanity truly change—
or are we destined to repeat the same patterns forever?

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Endless Myth and The Little Prince

— A “Children’s Story” as Science Fiction, and the Truth of the Invisible —

The novel Endless Myth and The Little Prince may appear completely different at first glance.

However, The Little Prince is not merely a children’s tale.
It is a genuine work of science fiction, dealing with space travel, different planets, and encounters with other forms of existence.

While Endless Myth expands the universe into an infinite omniversal structure,
The Little Prince condenses the universe into symbolic, intimate worlds.

This article compares them through cosmology, perception, and the meaning of the invisible.

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1. Depiction of the Universe: Small Planets vs. Infinite Structure

In The Little Prince, the universe is composed of small, distinct planets.
Each one represents an idea, a personality, or a philosophical question.

In Endless Myth, the universe is an infinite structure.
Multiverses, higher dimensions, and omniversal layers expand without limit.

In short:

The Little Prince: symbolic cosmos
Endless Myth: structural cosmos

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2. Science Fiction Core: Observation and Perception

The Little Prince is fundamentally a story of exploration.
Through encounters across planets, it examines the nature of humanity.

This is a core principle of science fiction:
using the unknown to reflect the human condition.

Endless Myth also deals with observation and perception,
but at a much larger scale—extending to the structure of reality itself.

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3. The Invisible: Heart vs. Structure

One of the central ideas of The Little Prince is:
“What is essential is invisible to the eye.”

This refers to love, relationships, and emotional truth.

In Endless Myth, the invisible takes a different form:
the hidden structures of the universe—dimensions, systems, and underlying realities.

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4. Perspective: Child vs. Observer

The protagonist of The Little Prince embodies a childlike perspective—
pure, intuitive, and capable of seeing what adults overlook.

In Endless Myth, the observer plays a central role.
Understanding reality requires awareness and interpretation.

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5. Form of Myth: Parable vs. Structural Myth

The Little Prince is a parable—simple in form, yet profound in meaning.

Endless Myth is a structural myth—
complex systems used to construct meaning.

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6. Reader Experience: Emotion vs. Comprehension

The Little Prince speaks to emotion.
It moves the reader’s heart.

Endless Myth speaks to comprehension.
It expands the reader’s perception of reality.

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Conclusion: What Is Truly Invisible?

Endless Myth and The Little Prince offer two different answers to the idea of the invisible:

The Little Prince: the invisible is the heart
Endless Myth: the invisible is structure

Yet both works ultimately ask the same question:

Where does true meaning reside?

Is it within what we can see—
or within what lies beyond perception?

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Endless Myth and Mobile Suit Z Gundam

— Kamille Bidan as the Answer to a “New Newtype” and the Expansion of Consciousness —

The novel Endless Myth and Mobile Suit Z Gundam may seem very different in scale and genre.

Yet both works explore a shared question:
How far can human consciousness expand?

In particular, Kamille Bidan represents a redefinition of the Newtype concept—an answer that is both profound and tragic.

This article compares them through Newtype theory, consciousness expansion, and the relationship between humanity and the cosmos.

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1. The Concept of the Newtype: Evolution or Sensitivity?

In Z Gundam, a Newtype is not simply an evolved human.

Kamille is someone who can deeply feel the emotions—and even the deaths—of others.
This ability is both a gift and a burden.

In Endless Myth, consciousness expands beyond individual sensitivity.
It connects to the structure of the universe itself.

In short:

Z Gundam: Newtype = heightened sensitivity
Endless Myth: consciousness = connection to cosmic structure

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2. Kamille as an Answer

Kamille Bidan embodies both the ideal and the limit of the Newtype.

He strives to understand others more deeply than anyone else.
Yet this overwhelming sensitivity ultimately leads to his psychological collapse.

This presents a powerful answer to a fundamental question:

Can humans endure complete understanding of others?

In Kamille’s case, the answer is no.

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3. Expansion of Consciousness: Tragedy vs. Transcendence

In Z Gundam, the expansion of consciousness leads to tragedy.

Newtypes are used as tools in war,
and their abilities become tied to destruction.

In Endless Myth, expansion leads toward transcendence.

Consciousness extends into multiverses and higher-dimensional structures,
approaching an understanding of existence itself.

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4. Meaning of Space: Battlefield vs. Structure

In Z Gundam, space is a battlefield.
It is where human conflict continues.

In Endless Myth, space is structure.
An infinite system that defines existence.

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5. Human Limits: Collapse vs. Redefinition

Kamille represents the limits of humanity.
To understand too much is to break.

Endless Myth attempts to go beyond those limits.
It redefines what “human” even means.

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6. Form of Myth: Human-Centered vs. Cosmic

Z Gundam is fundamentally a human story.

Endless Myth is a cosmic story.

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Conclusion: How Much Can Humans Understand?

Endless Myth and Z Gundam present two different answers to the expansion of consciousness:

Z Gundam: understanding destroys the human mind
Endless Myth: understanding transcends the human condition

And Kamille stands at the boundary between those two possibilities.

This comparison leads to a fundamental question:

How much can humans truly understand—
and what lies beyond that limit: collapse, or evolution?

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Endless Myth and Solo Leveling

— Omniversal Myth vs. Level-Up Narrative, and the Rise of a New Global Comic Format —

The novel Endless Myth and Solo Leveling both center on the structure of the world and the transformation of individuals.

However, their approaches are fundamentally different.

One expands mythology across an infinite omniverse,
while the other builds its narrative through the “leveling up” of a single protagonist.

At the same time, Solo Leveling represents a turning point in how comics and visual storytelling are created and distributed globally.

This article compares them through structure, narrative mechanics, and global media evolution.

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1. Scale of Myth: Omniverse vs. Individual Growth

Endless Myth begins at a cosmic scale.
It explores multiverses, higher dimensions, and infinite layered realities.

Solo Leveling begins with an individual.
A weak hunter rises step by step to overwhelming power.

In short:

Endless Myth: myth begins with the universe
Solo Leveling: myth begins with the individual

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2. World Structure: Philosophical vs. System-Based

The world of Endless Myth is built on complex philosophical structures.

The world of Solo Leveling operates through game-like systems:

• Levels

• Skills

• Quests

These mechanics are embedded directly into reality.

Thus:

Endless Myth: conceptual structure
Solo Leveling: system-driven structure

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3. Narrative Drive: Understanding vs. Progression

In Endless Myth, the story advances through understanding the structure of existence.

In Solo Leveling, the story advances through progression.
Growth itself is the driving force.

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4. A New Form of Comics: Webtoon and Global Expansion

One of the defining features of Solo Leveling is its format.

• Vertical scrolling optimized for smartphones

• Full-color presentation

• Fast-paced episodic updates

This webtoon format offers a fundamentally different reading experience from traditional manga.

Moreover, the series achieved global success through:

• Worldwide translations

• Anime adaptation (Solo Leveling)

• Game adaptations and cross-media expansion

It represents a new model of global storytelling.

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5. The Role of the Protagonist: Central vs. Transcendent

Solo Leveling is centered entirely on its protagonist.
The world evolves around his growth.

Endless Myth moves beyond individual perspective.
The universe itself becomes the subject.

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6. Form of Myth: Growth Myth vs. Structural Myth

Solo Leveling is a myth of growth.

Endless Myth is a myth of structure.

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Conclusion: Does Myth Begin with the Individual or the Universe?

Endless Myth and Solo Leveling represent two major forms of modern myth-making:

Endless Myth: infinite myth beginning from the universe
Solo Leveling: growth myth beginning from the individual

At the same time, Solo Leveling demonstrates something equally important:
the form and distribution of storytelling are evolving.

Myth is no longer defined only by its content,
but also by how it reaches a global audience.

This comparison leads to a fundamental question:

Where does a story truly begin—
and how does it expand across the world?

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Endless Myth and La Chinoise

— The Destruction and Reconstruction of Narrative Grammar, Godard’s Late Style, and Copyright —

The novel Endless Myth and La Chinoise both challenge conventional storytelling, but in fundamentally different ways.

La Chinoise, directed by Jean-Luc Godard, represents a radical attempt to question the very grammar of cinema.

One expands narrative through an omniversal structure,
while the other dismantles narrative into fragments of image, sound, and text.

This article compares them through narrative disruption, media reconstruction, and Godard’s later evolution—including the issue of copyright.

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1. Narrative Grammar: Expansion vs. Destruction

Endless Myth expands narrative grammar.
It layers multiple universes, timelines, and dimensions into a new structure.

La Chinoise destroys narrative grammar.
Plot is fragmented into conversations, quotations, and ideological exchanges.

In short:

Endless Myth: expansion of narrative
La Chinoise: deconstruction of narrative

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2. Reconstruction of Media: Text vs. Image-Sound-Word

Endless Myth constructs its universe through language.

La Chinoise separates and recombines media elements:

• Text appearing on screen

• Discontinuous use of music

• Theatrical, staged performances

It is cinema that goes beyond cinema—
a reconstruction of image, sound, and written word.

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3. Godard’s Artistic Vision: Redefining Cinema

Jean-Luc Godard spent his entire career redefining what cinema could be.

La Chinoise is an early example of his experimental phase,
but his later works push these ideas even further:

• Fragmentation of images

• Separation of sound and visuals

• Rejection of traditional narrative

In his late period, cinema becomes less a story
and more a collage of audiovisual thought.

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4. Copyright and Quotation: The Problem of Reconstruction

Godard’s work relies heavily on quotation and reuse.

Existing images, music, and ideas are reassembled
to generate new meanings.

However, this approach raises issues of copyright.

In the modern era, such methods are increasingly restricted,
making Godard-like experimentation more difficult to sustain.

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5. Form of Myth: Structural Myth vs. Deconstructed Myth

Endless Myth builds mythology through structure.

La Chinoise deconstructs myth.
It questions ideology, language, and representation itself.

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6. Experience: Understanding vs. Discomfort

Endless Myth invites the reader to understand its structure.

La Chinoise creates discomfort.
It destabilizes the viewer and forces reflection.

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Conclusion: Is Narrative Necessary?

Endless Myth and La Chinoise ultimately question the necessity of narrative itself:

Endless Myth: narrative expands into new forms
La Chinoise: narrative is dismantled

One builds a universe through structure.
The other breaks storytelling apart to reconstruct meaning.

And this comparison leads to a fundamental question:

Is narrative essential—
or must it be destroyed to create something new?

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Endless Myth and The Midnight Meat Train

— Cosmic Myth vs. Urban Horror, Japanese Directors in Hollywood, and Clive Barker —

The novel Endless Myth and The Midnight Meat Train may appear completely different at first glance.

Yet both works explore a similar idea: the moment when humans encounter something beyond comprehension.

This film is also based on a story by Clive Barker and directed by Ryuhei Kitamura, making it a compelling case of a Japanese director working within Hollywood while adapting a distinct literary vision.

This article compares them through cosmology, horror, authorship, and international filmmaking.

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1. Scale of the World: Omniverse vs. Underground Myth

Endless Myth presents an infinite omniversal structure.
Multiverses expand endlessly into higher systems.

The Midnight Meat Train presents a hidden myth beneath the city.
In the depths of the subway, something inhuman exists beyond ordinary reality.

In short:

Endless Myth: infinite outer cosmos
Midnight Meat Train: inner, hidden abyss of the city

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2. Nature of Horror: Structure vs. Physical Violence

In Endless Myth, horror comes from structure itself—
the uncertainty of existence within an infinite system.

In The Midnight Meat Train, horror is physical and visceral.
Violence, flesh, and ritual dominate the narrative.

Yet behind that violence lies something far greater and more unknowable.

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3. The Influence of Clive Barker

Clive Barker is known for treating horror not merely as fear, but as contact with another realm.

His works often explore:

• Beings beyond human comprehension

• The fusion of beauty and horror

• Transformation of body and mind

The Midnight Meat Train reflects this philosophy—
it is not just a slasher story, but a gateway into the unknown.

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4. Japanese Directors in Hollywood: The Case of Ryuhei Kitamura

Ryuhei Kitamura built his reputation in Japan with dynamic action and intense visual style.

In this film, he brings that sensibility into Hollywood while adapting Barker’s unique tone.

This highlights a recurring challenge for Japanese directors working abroad:

• How much of their own style can they retain?

• How much must they adapt to the source material and studio system?

The Midnight Meat Train exists at the intersection of these forces.

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5. Transformation of Perception: Expansion vs. Descent

In Endless Myth, perception expands outward into the cosmos.

In The Midnight Meat Train, perception descends inward—
into the hidden layers beneath everyday reality.

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6. Form of Myth: Infinite Myth vs. Urban Myth

Endless Myth is an infinite myth.

The Midnight Meat Train is an urban myth—
a hidden narrative embedded within modern society.

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Conclusion: Is Myth Above Us or Beneath Us?

Endless Myth and The Midnight Meat Train present two opposing locations of myth:

Endless Myth: myth exists in the vast cosmos
Midnight Meat Train: myth exists beneath everyday life

One reaches toward infinity.
The other uncovers darkness below.

And this comparison leads to a fundamental question:

Is the unknown something far beyond us—
or something already waiting beneath our feet?

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Endless Myth and The Sons of El Topo

— Myth Born from Sequel Concepts and the Structure of the Omniverse —

The novel Endless Myth and The Sons of El Topo (often referred to as Fang Solo) are both works that expand mythology beyond an original foundation.

Crucially, The Sons of El Topo is a product of Alejandro Jodorowsky’s unrealized sequel concept to the film El Topo.

One is an omniversal mythology designed to expand infinitely from the outset,
while the other emerges from the continuation of an earlier work—transforming an unfinished vision into a new myth.

This article compares them through sequel logic, mythic structure, and the idea of creative regeneration.

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1. Point of Origin: Independent Myth vs. Sequel Myth

Endless Myth is constructed as an independent mythological system.
It begins already infinite in scope.

The Sons of El Topo originates from a sequel concept.
It extends the narrative world of El Topo into a new form.

In short:

Endless Myth: independent mythology
Sons of El Topo: mythology born from a sequel

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2. Jodorowsky’s Creation Method: From the Unfinished to the Mythic

Alejandro Jodorowsky is known for transforming unrealized ideas into new works.

The Sons of El Topo is a clear example:
a film sequel that was never produced becomes a comic narrative instead.

This reflects a broader pattern also seen in his Dune project—
unfinished visions do not disappear, but re-emerge in different forms.

In Jodorowsky’s process:
unrealized ideas are not failures—they are seeds of new mythology.

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3. Cosmology: Omniverse vs. Spiritual Desert

Endless Myth presents a structured omniverse.
Multiverses expand into higher and higher systems.

The Sons of El Topo presents a symbolic, spiritual landscape.
Deserts, violence, and religious imagery create a psychological cosmos.

It is less a physical universe,
and more a universe of the mind.

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4. Transmission of Myth: Structure vs. Bloodline

In Endless Myth, mythology continues through structure.
The system itself evolves.

In The Sons of El Topo, mythology continues through lineage.
The legacy of the father passes to the sons.

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5. Mode of Expansion: Internal vs. Derivative

Endless Myth expands internally.
Its infinite growth occurs within a unified system.

The Sons of El Topo expands through derivation.
A new story emerges from an existing one.

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6. Essence of Myth: Infinity vs. Regeneration

Endless Myth defines myth as infinity itself.

The Sons of El Topo defines myth as regeneration.
An unfinished idea transforms into a new narrative life.

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Conclusion: Is Myth Infinite from the Start, or Reborn from Fragments?

Endless Myth and The Sons of El Topo present two models of myth-making:

Endless Myth: myth exists as infinite structure from the beginning
Sons of El Topo: myth is reborn from unfinished visions

What stands out most is Jodorowsky’s ongoing creative process.
His universe continues to expand—not only through completed works,
but through the transformation of unrealized ideas into new forms.

This comparison leads to a fundamental question:

Is myth something that always exists in infinite form—
or something that is endlessly reborn from fragments of imagination?

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