2026年4月6日月曜日

Endless Myth and Korean Dramas

 

Endless Myth and Korean Dramas

— Cosmic Myth and Modern Love-Hate Narratives —

The novel Endless Myth and contemporary Korean dramas (K-dramas) may appear to belong to completely different genres.

One explores mythology on a multiversal scale, while the other focuses on human relationships in modern society.

Yet both are deeply connected through a shared question: how is myth reconstructed in the modern world?

This article compares them through the lenses of myth structure, character, emotional conflict, and modern adaptation.


1. Form of Myth: Cosmic Expansion vs. Everyday Focus

Endless Myth is a mythology of infinite expansion.
It extends through multiverses and omniversal structures, exploring existence itself.

Korean dramas, in contrast, bring myth into everyday life.
Their settings revolve around family, romance, and work—familiar spaces for modern audiences.

In short:

Endless Myth: myth expanding toward the cosmos
K-dramas: myth grounded in everyday life


2. Myth Structure: Abstract Systems vs. Relationship Networks

In Endless Myth, the universe itself forms the structure of myth.
Layers of reality and divine hierarchies define the narrative framework.

In Korean dramas, relationships form the structure.
Family ties, romantic entanglements, betrayal, and revenge create a complex emotional network.

Thus:

Endless Myth: cosmic structure
K-dramas: relational structure


3. Characters: Conceptual Entities vs. Emotional Beings

Characters in Endless Myth often represent elements of a larger cosmic system.

In Korean dramas, characters are driven by emotion.
Love, jealousy, anger, ambition, and revenge shape their actions and decisions.

So:

Endless Myth: concept-driven characters
K-dramas: emotion-driven characters


4. Love and Conflict: The Modernization of Myth

This is the most important point.

The love-hate narratives in Korean dramas mirror the structure of classical mythology:

  • Love and betrayal

  • Blood ties and conflict

  • Revenge and fate

These elements are found in ancient myths across cultures.

K-dramas reinterpret them within modern contexts—
corporate power struggles, family dynamics, and romantic relationships.

In this sense, Korean dramas are not separate from myth;
they are modernized mythologies expressed through human relationships.


5. Time and Fate: Infinite Possibility vs. Narrative Destiny

In Endless Myth, time branches infinitely.
All possibilities coexist across different realities.

In Korean dramas, time is linear but shaped by fate.
Characters move within seemingly unavoidable emotional and relational trajectories.


6. Essence of Myth: Structure and Emotion

Endless Myth presents myth as structure
a system of infinity, existence, and cosmic order.

Korean dramas present myth as emotion
stories driven by human relationships and emotional intensity.


Conclusion: Has Myth Descended from the Cosmos into Human Life?

Endless Myth and Korean dramas represent two stages of myth:

Endless Myth: myth at the cosmic level
K-dramas: myth adapted to human society

The former approaches the origin of myth.
The latter represents its transformation into modern storytelling.

And this comparison leads to a central question:

Does myth originate in the vast structure of the cosmos—
or is it ultimately completed within human emotion and relationships?


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2026年4月5日日曜日

 


Endless Myth and Last Tango in Paris

— Cosmic Myth and the Limits of Human Emotion —

The novel Endless Myth and Last Tango in Paris (directed by Bernardo Bertolucci) operate in entirely different domains, yet both confront the limits of human experience.

One explores infinity through multiversal structure, while the other dives into the extremes of emotion, intimacy, and isolation.

At the time of its release, Last Tango in Paris sparked intense global controversy—making it not only a film, but a cultural flashpoint.


1. Form of Myth: Infinite Structure vs. Enclosed Intimacy

Endless Myth is built upon infinite expansion.
Its narrative extends across multiverses and omniversal layers, forming a boundless mythological structure.

In contrast, Last Tango in Paris unfolds within a highly confined emotional space.
The anonymous relationship between two individuals becomes the entire universe of the story.

In short:

Endless Myth: infinitely expanding myth
Last Tango: myth formed within a closed emotional space


2. Domain of Expression: Cosmos vs. Emotion

Endless Myth operates in the realm of abstraction—
time, space, infinity, and existence itself.

Last Tango in Paris focuses on raw human emotion—
loneliness, grief, desire, and psychological exposure.

Thus:

Endless Myth: limits of conceptual reality
Last Tango: limits of emotional reality


3. Characters: Structural Entities vs. Emotional Exposure

Characters in Endless Myth are often positioned within a larger cosmic system.
They function as parts of a vast structure.

In Last Tango in Paris, characters strip away social identity and expose their inner selves.
The performance of Marlon Brando, in particular, reveals deep emotional vulnerability and existential despair.


4. Controversy at Release: Censorship and Ethical Debate

Last Tango in Paris generated major controversy upon release:

  • Explicit sexual content

  • Scenes raising serious ethical concerns

  • Bans, censorship, and legal action in multiple countries

In Italy, the film led to a court ruling, confiscation of prints, and legal consequences for the director.

In later years, discussions about consent during production further complicated its legacy, making it a subject of ongoing ethical debate—not just artistic evaluation.


5. Limits of Expression: Art or Transgression?

Endless Myth challenges the limits of human understanding.
It explores infinity, cosmic structure, and what lies beyond comprehension.

Last Tango in Paris challenges emotional and physical boundaries.
However, it also raises the question of whether those boundaries were crossed in ethically problematic ways.

The central issue becomes:

Is pushing limits an act of artistic expression—
or does it risk becoming transgression?


6. Essence of Myth: Structure vs. Emotional Exposure

Endless Myth presents myth as structure
a system of infinity and existence.

Last Tango in Paris presents human experience as exposure
revealing emotion and desire without concealment.


Conclusion: Does Myth Exist in the Cosmos or Within the Human Psyche?

Endless Myth and Last Tango in Paris approach the nature of humanity from opposite directions:

Endless Myth: understanding humanity through cosmic structure
Last Tango: revealing humanity through emotional depth

The former questions existence through abstraction.
The latter exposes it through raw experience.

And this comparison leads to a fundamental question:

Does myth reside in the vast structure of the universe—
or does it emerge from the deepest layers of human emotion?


Webnovel

AmazonUK 

Amazon