Endless Myth and La Chinoise

— The Destruction and Reconstruction of Narrative Grammar, Godard’s Late Style, and Copyright —

The novel Endless Myth and La Chinoise both challenge conventional storytelling, but in fundamentally different ways.

La Chinoise, directed by Jean-Luc Godard, represents a radical attempt to question the very grammar of cinema.

One expands narrative through an omniversal structure,
while the other dismantles narrative into fragments of image, sound, and text.

This article compares them through narrative disruption, media reconstruction, and Godard’s later evolution—including the issue of copyright.

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1. Narrative Grammar: Expansion vs. Destruction

Endless Myth expands narrative grammar.
It layers multiple universes, timelines, and dimensions into a new structure.

La Chinoise destroys narrative grammar.
Plot is fragmented into conversations, quotations, and ideological exchanges.

In short:

Endless Myth: expansion of narrative
La Chinoise: deconstruction of narrative

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2. Reconstruction of Media: Text vs. Image-Sound-Word

Endless Myth constructs its universe through language.

La Chinoise separates and recombines media elements:

• Text appearing on screen

• Discontinuous use of music

• Theatrical, staged performances

It is cinema that goes beyond cinema—
a reconstruction of image, sound, and written word.

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3. Godard’s Artistic Vision: Redefining Cinema

Jean-Luc Godard spent his entire career redefining what cinema could be.

La Chinoise is an early example of his experimental phase,
but his later works push these ideas even further:

• Fragmentation of images

• Separation of sound and visuals

• Rejection of traditional narrative

In his late period, cinema becomes less a story
and more a collage of audiovisual thought.

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4. Copyright and Quotation: The Problem of Reconstruction

Godard’s work relies heavily on quotation and reuse.

Existing images, music, and ideas are reassembled
to generate new meanings.

However, this approach raises issues of copyright.

In the modern era, such methods are increasingly restricted,
making Godard-like experimentation more difficult to sustain.

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5. Form of Myth: Structural Myth vs. Deconstructed Myth

Endless Myth builds mythology through structure.

La Chinoise deconstructs myth.
It questions ideology, language, and representation itself.

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6. Experience: Understanding vs. Discomfort

Endless Myth invites the reader to understand its structure.

La Chinoise creates discomfort.
It destabilizes the viewer and forces reflection.

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Conclusion: Is Narrative Necessary?

Endless Myth and La Chinoise ultimately question the necessity of narrative itself:

Endless Myth: narrative expands into new forms
La Chinoise: narrative is dismantled

One builds a universe through structure.
The other breaks storytelling apart to reconstruct meaning.

And this comparison leads to a fundamental question:

Is narrative essential—
or must it be destroyed to create something new?

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